Lee Hoi-yin Joanna
Lee’s undergraduate was English literature and her post-graduate focus areas were Global Business and Arts Administration, currently an editor, critic, producer. She has been the anchor or RTHK arts critic program Arts Critique, and contributes cultural and arts reviews to printed and online publications in HK, Macau and Taiwan. Currently a Hong Kong Arts Development Council advisor in art critic group and assessor in arts administration, dance, and art critic groups. Supported by Home Affairs Bureau and HKADC for her trips to Korea, Australia, Italy, Germany and Canada for exchange and stage productions.
Curatorial
2017-2019: Co-curator of To Behold! To Voice! To Remap! : A Participatory Theatre Project (Home Affairs Bureau Arts Capacity Development Funding Scheme grantee)
2017: Hong Kong Dance Alliance Collaborative Creative Lab
Research, Editing and Publishing
2019-2020: HKADC ‘Oral History and Archives Project’ - Researcher
2016-2019: City Contemporary Dance Company Hong Kong Dance Oral History
- Researcher and writer of Unspoken Dance
2016:IATC Hong Kong art critics database - Advisor (dance/ visual arts)
2015: Lo Wai-luk In Search of HK Dance - Editor
2012 to present: Hong Kong Visual Arts Yearbook published by Department of Fine Arts, The Chinese University of Hong Kong - Editor
Stage-works
Being the producer of 0-100 Degrees outdoor concert (2010), Convergence (2010), Perfect Pairs and Odd Couples (2011), Seeing is Believing (2011), Hong Kong Dance Awards (2011 and 2012), Hong Kong in Focus during 2012 Guangdong Dance Festival, The Life and Death of Xiao Hong (2013), Special Delivery 2: Politely Intractable Still (2014), Special Delivery 3: Between Breaths (2015), Fish in the Hand (2015), So Low (2017), Cattle Runway (2017), Heading West 3: The Final Trail (2018), Dérivé (HK/ Montréal 2022).